DiddyDocket Dispatch
Seven Güzel v. Combs et al.
New York Supreme Court No. 152568/2025 Justice Leslie A. Stroth
Sep 30, 2026

Güzel v. Combs: Plaintiff Demands Details Behind Combs’s and Sony Music’s Affirmative Defenses

N.Y. Sup. Ct. · Index No. 152568/2025 · Discovery Demands Served Sept. 29, 2026

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In the matter of Güzel v. Combs, et al., Index No. 152568/2025 (N.Y. Sup. Ct., N.Y. Cnty.), plaintiff Seven Güzel on Sept. 29, 2026 served three discovery demands: a demand that Sean Combs and five affiliated companies serve a verified bill of particulars on their affirmative defenses (ECF No. 173), a similar demand to Sony Music Entertainment (ECF No. 174), and 38 demands for documents and information (ECF No. 175). A bill of particulars is a party’s sworn, itemized statement of the facts behind a claim or defense that a pleading states only generally. An affirmative defense is a ground for defeating or reducing a claim beyond denying it.

Background

Güzel’s amended complaint alleges sexual assault by Combs. (ECF No. 23.) On Sept. 3, 2026, Combs, Bad Boy Entertainment LLC, Bad Boy Entertainment Holdings, Inc., Daddy’s House Recordings Inc., CE OpCo, LLC and Revolt Media and TV LLC, which the demands call the “Combs Defendants,” filed a verified answer pleading twelve affirmative defenses. (ECF No. 151 at 39–40.) Sony Music, which states that only the Eighth Cause of Action remains against it, answered the same day with six. (ECF No. 150 ¶ 1.)

The Demand to the Combs Defendants

Most of the Combs Defendants’ defenses run a sentence or two. The demand takes up five in nine items and asks for what the pleading does not say. (ECF No. 173 ¶¶ 1–9.)

The Fifth Defense states that any injuries “were the result of acts of third parties over which Defendants have no responsibility or control.” (ECF No. 151 ¶ 5.) Item 1 asks for their names and addresses; the answer does not identify them.

The Seventh states in one sentence that Güzel “voluntarily engaged in or otherwise consented to the alleged conduct at issue.” (Id. ¶ 7.) Item 2 asks the defendants to state the “alleged conduct” they mean.

The Eighth invokes “waiver and/or estoppel,” meaning giving up a right and being barred from contradicting conduct someone relied on. (Id. ¶ 8.) Items 3 through 5 ask for the “acts or omissions” said to be her waiver, the claims she waived, and the “prior act or statement” the defendants relied on. Item 6 asks which claims are “subject to the doctrine of laches,” and attributes laches to the Eighth Defense; the answer pleads laches as its Third. (Id. ¶ 3.)

The Ninth pleads “unclean hands” and the Tenth “failure to mitigate,” meaning a failure to reduce her own losses. (Id. ¶¶ 9–10.) Item 7 asks for the acts behind the first; items 8 and 9 ask for the acts behind the second and “the damages that Plaintiff failed to mitigate.” Apart from laches, the demand does not address the First, Second, Fourth, Sixth, Eleventh or Twelfth Defenses, which include limitations, no damages and group pleading.

The Demand to Sony Music

Sony Music’s Fourth Affirmative Defense, titled “Intervening Cause of Harm or Loss,” states that Güzel’s harm or loss, “if any, was the result of independent acts or omissions by third parties, and SME had no involvement in such actions.” (ECF No. 150 ¶ 223.) The demand asks Sony Music to identify the “third parties” by name and address and to state the “independent acts or omissions” attributed to them. (ECF No. 174 ¶¶ 1–2.) Sony Music’s answer likewise does not name them, and the demand reaches none of Sony Music’s other five defenses. Both demands ask for a verified bill within 30 days of service. (ECF No. 173 at 1; ECF No. 174 at 1.)

The Document Demand

One of the 38 items has 23 lettered subjects, among them the relationships among Sony Music, Combs and the companies from 2017 through 2021, Combs’s role at each, and “allegations of Sexual Conduct or misconduct against Combs by any person or entity prior to and including 2021.” (ECF No. 175 ¶ 4.) Others seek recordings depicting Güzel (¶¶ 5–6), Combs’s personnel file (¶ 24) and insurance agreements (¶ 38). Four ask for signed authorizations for Combs’s mental-health, pharmacy, “sexual addiction” and sexually-transmitted-disease treatment records. (Id. ¶¶ 16–19.) The notice is addressed to Combs and the five companies, but it defines “Defendants” to include Sony Music, and item 4 reaches documents in Sony Music’s possession. (Id. at 1, 3, 5.)

The Other Side

No response to the demands appears on the docket. The Combs Defendants deny she is entitled to “any damages,” and Sony Music “specifically denies that there is any basis” for the claim against it. (ECF No. 151 at 38; ECF No. 150 ¶ 1.) Both have asked the court to stay “any discovery” of them while they appeal its July 9 decision. (ECF Nos. 140, 148.)

What’s Next

Thirty days from service is Oct. 29, 2026, after the depositions noticed for Combs on Oct. 5 and for Sony Music and the five companies on Oct. 8. (ECF Nos. 152–160.) The stay motions were noticed for Sept. 10; no ruling on either appears among the docket entries through Sept. 29. Justice Leslie A. Stroth declined on Sept. 16 to sign Sher Tremonte’s proposed withdrawal order (see the earlier Dispatch); the demands were served on that firm.

Counsel and Sources

Güzel is represented by Merson Law, PLLC (Jordan Rutsky signed the demands), the Combs Defendants by Sher Tremonte LLP and Sony Music by Pryor Cashman LLP. No demand is directed to defendant Kristina Khorram. Source: ECF Nos. 23, 140, 148, 150–160 and 173–175 on the Güzel v. Combs docket.

Diddy Docket reports on public court records. Parties are presumed innocent or not liable unless proven otherwise. This is not legal advice.

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